In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Inspired by a president who is unlike any Black man ever seen on our national stage, we are searching for new ways of understanding Blackness. In this provocative new book, iconic commentator and journalist Touré tackles what it means to be Black in America today.
Touré begins by examining the concept of “Post-Blackness,” a term that defines artists who are proud to be Black but don’t want to be limited by identity politics and boxed in by race. He soon discovers that the desire to be rooted in but not constrained by Blackness is everywhere. In Who’s Afraid of Post-Blackness? he argues that Blackness is infinite, that any identity imaginable is Black, and that all expressions of Blackness are legitimate.
The Black Panther Party for Self Defense, formed in the aftermath of the assassination of Malcolm X in 1965, remains one of the most controversial movements of the 20th-century. Founded by the charismatic Huey P. Newton and Bobby Seale, the party sounded a defiant cry for an end to the institutionalized subjugation of African Americans. The Black Panther newspaper was founded to articulate the party’s message and artist Emory Douglas became the paper’s art director and later the party’s Minister of Culture. Douglas’ artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era’s most iconic images, like that of Newton with his signature beret and large gun set against a background of a blood-red star, which could be found blanketing neighborhoods during the 12 years the paper existed.This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the Black Panther Party’s visual identity.
Fifteen years after the publication of Push, one year after the Academy Award-winning film adaptation, Sapphire gives voice to Precious’s son, Abdul.
In “The Kid” bestselling author Sapphire tells the electrifying story of Abdul Jones, the son of Push’s unforgettable heroine, Precious.
A story of body and spirit, rooted in the hungers of flesh and of the soul, “The Kid” brings us deep into the interior life of Abdul Jones. We meet him at age nine, on the day of his mother’s funeral. Left alone to navigate a world in which love and hate sometimes hideously masquerade, forced to confront unspeakable violence, his history, and the dark corners of his own heart, Abdul claws his way toward adulthood and toward an identity he can stand behind.
In a generational story that moves with the speed of thought from a Mississippi dirt farm to Harlem in its heyday; from a troubled Catholic orphanage to downtown artist’s lofts, “The Kid” tells of a twenty- first-century young man’s fight to find a way toward the future. A testament to the ferocity of the human spirit and the deep nourishing power of love and of art, “The Kid” chronicles a young man about to take flight. In the intimate, terrifying, and deeply alive story of Abdul’s journey, we are witness to an artist’s birth by fire.