In Return to the African Mother Principle, Dr. T’Shaka painstakingly unravels the rhetoric of a question so basic, we seldom consider that the issue is till a question: what is feminine and what is masculine? Dr. T’Shaka sifted through several texts by some of the most revered “authorities,” and found cultural facts had been mistaken for universal truths.
Oba T’Shaka pulls up some weeds in the Garden of Eden to help us pull ourselves together. His research indicated that creativity is our most vital aspect and recommends that we cherish it or loose it. With the rising cases of AIDS, breast and prostate cancers in the Black community, we need to be more clear on the natural function of the sexes now. In scholarly and philosophical language, Dr. Shaka outlines the creative perspective of sexuality based on African traditions:
“Miles Davis, one of the most creative Black classical (Jazz) musicians in the history of music, is describing the improvisational, creative concentric path that Black singers, musicians, dancers, writers, scientists, and speakers follow, where they sing, blow, dance, write or preach what they know, and then they cut loose and take themselves, and go above themselves to a higher creative place. Miles makes it clear that the creative person doesn’t just seek to get to this place once in a lifetime, by rising above yourself, you are continually seeking to fly higher and higher to new levels of consciousness, creativity and action. You can only do this when you combine the intellectual, masculine known, with the feminine, intuitive unknown. When the synthesis takes place between the known (masculine) and the unknown (feminine) a new music, a new dance, a new literature, a new philosophy, and a new people can come about. Miles tells us that this willingness to go above what we know is where we find true freedom.”
–Oba T’Shaka from Return to the African Mother Principle of Male and Female Equality